Marx And Engels An Old Meeting Place Of Voltaire And...

In August of 1844, 26-year-old Karl Marx and 23-year-old Friedrich Engels met in Paris for an aperitif at the Cafà © de la Regence – an old meeting place of Voltaire and Diderot. Their ensuing discourse lasted ten intense days and resulted in a lifelong friendship. This transformative relationship is evident in the publishing of The Communist Manifesto in 1848, during a period of widespread European revolution. Although Marx and Engels agreed that revolution was justified to create a communist society, their difference of opinion on how that revolution should occur is compelling. Marx believed that even if the revolution occurred in just one factory district, as with the 1844 weavers’ revolt in Silesia, it would start a chain reaction that would threaten the entire state. Conversely, while observing the nineteenth-century revolutions such as the Paris Commune, Engels’ promulgated revolution through more controversial guerilla warfare tactics. From 1917 to th e fall of communism in Eastern Europe in 1989, the writings of Marx and Engels inspired several violent uprisings throughout Europe and Asia, seeking to create a â€Å"dictatorship of the proletariat.† Since Marx deferred to Engels on military matters in their literary works, the question becomes â€Å"Did Engels influence over Marx lead to the adulterated twentieth-century version of communism in countries such as North Korea, Vietnam and Soviet Union?† Karl Marx’s writings prior to befriending Freidrich Engels center on the

GHOST STORIES retold by Rosemary Border - 1590 Words

COMPULSORY READING Ghost Stories RETOLD BY Rosemary Border ABOUT THE AUTHORS: A. M. BURRAGE Alfred McLellan Burrage (1889-1956) was a well-known English novelist. He enjoyed writing about ghosts and horror, and produced two novels and many short stories in this genre. Smee comes from his collection entitled Someone in the Room. BRAM STOKER Stoker (1847-1912) has been called one of the least-known authors of the one of the best-known books. As a child, he enjoyed listening to and writing ghost stories, and predicted that one day his writing would make him famous. He worked as a lawyer, editor, and theatre manager, and wrote novels, short stories and non-fiction. His most famous work is Dracula, which has appeared†¦show more content†¦After a time the others go off to search for Smee-but they dont know who are they looking for. When one player meets another he challenges him by saying Smee. The other player answers Smee, and they continue searching. But the real Smee doesnt answer when someone challenges. The second player stays quietly beside him. This goes until all the players are in the same place. The last one to find Smee has to pay forfeit. So they started to play. It was good, noisy and amusing game. After some time, and some uncomfortable events (Mr. Sangston counted 13 people although there were only 12 people in the house, Mrs. Sangston thought that while they were all sitting on the stairs that there was person sitting behind her but no one was there, their son - Reggie touched somebodys cold hand in the dark and later found out that there is no one beside him) the fun had gone out of the game. They all started to play the game again, but they were no longer enjoying it. While T. Jackson was looking for the Smee he bumped into a pair of human knees and touched womans arm, he challenged her, and recieved no answer. Then he asked her about her name and she whispered: Brenda Ford. Soon Mrs Gorman joined them and she and Mr. Jackson started talking. After a while came Reggie looking for them saying that hes been looking for them two. They said how is that possible if Smee is with them, and Reggie

Othellos Tragic Flaws - 746 Words

Othello’s tragic flaws Rodrigo Diaz 5/13/14 William Shakespeare wrote many plays in the 1600’s, lots of them were tragedies. William Shakespeare’s plays often had the downfall of a hero in it. In the play Othello: the tragic hero, Othello who is a larger than life character has earned a high rank in life as well as the military. He is a much respected man even though he is black. And has married a white woman named Desdemona. But when he makes the decision to make Casio Lieutenant instead of Iago, Iago makes a plan to destroy Othello’s life completely. Iago convinces Othello that Desdemona is not being faithful and is cheating on him with Casio, which eventually leads to Othello’s and Desdemona’s demise. This is mostly due to Othello’s character flaws and not as much as the outside forces. If Othello didn’t have poor judgment and wasn’t so angry, jealous and suspicious of others betraying him he would have talked to Desd emona first rather than jumping straight to conclusions like he did. In the play, Othello is a larger than life character. He is a well-respected general in the army and had earned himself a high place in society. He was known throughout Venice. He is also noble and virtuous. He seems like the perfect character, but he is not. A big flaw of Othello’s may be even his biggest flaw, is how much trust he puts in Iago. He trusts him so much throughout the play Iago seems honest and often scared to tell Othello bad news. When the whole time Iago isShow MoreRelatedOthellos Tragic Flaw Essays1208 Words   |  5 Pagesby becoming a military general. In the military Othello meets Cassio and Iago, he chooses Cassio as his lieutenant which upsets Iago. The promotion of Cassio begins to show jealousy in the play. Even though Othello is not a ruler in Venice, his tragic flaws are jealousy and gullibility, therefore Othello is easily manipulated by Iago because Othello feels the need to be accepted. Iago plans to revenge Othello for not choosing him to become lieutenant, and knowing that Othello is easily deceived makesRead MoreEssay on Othellos Tragic Flaw852 Words   |  4 PagesShakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragicRead MoreOthellos Tragic Flaw Essay example1082 Words   |  5 PagesOthellos Tragic Flaw The extravagant language and literary techniques used in Shakespeares Othello enhance the settings, characters, and themes. Othello, an intricate tragedy about good versus evil, loyalty, love, sexual jealousy, and appearance versus reality, is told in a first person point of view. The play is entitled Othello and the plot and action encompasses him, thus supporting his position of protagonist. The play takes place during the Renaissance in VeniceRead MoreEssay about Othellos Tragic Flaws983 Words   |  4 PagesCreek, once commented that, â€Å"like all great romantics, Shakespeare realized love was a lot more likely to end with a bunch of dead Danish people than with a kiss†(Americans on the Bard). This emphasizes how easily people can relate Shakespeare to tragic love. Although he did write many poems and plays with happy endings, his tragedies stand out the most. In these tragedies, people are often led through use of misconception, trickery, or both. An example of misconception can be shown by another ofRead MoreOthello, By William Shakespeare1134 Words   |  5 PagesIn Shakespeare’s play Othello, there is love, jealousy, death and of course, a tragic hero. A tragic hero is one who experiences an inner struggle due to some flaw within his/her character; that struggle results in the fall of a hero. According to Aristotle, â€Å"A tragic hero is a c haracter who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty†¦Ã¢â‚¬  (Aristotle, Poetics). Othello is an intricate play that dwells into the privateRead MoreEssay The Tragedy of Othello1292 Words   |  6 Pagesexample of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero byRead MoreA Comparative of Shakespeares Othello and Oedipus Rex1511 Words   |  6 PagesA Comparative of Shakespeare’s Othello and Oedipus Rex In Shakespeare’s work Othello: The Moor of Venice, Othello’s over trusting nature was revealed when his trust in false accusations about his wife Desdemona’s unfaithfulness causes him to kill her and himself, conveying Othello as a tragic hero. Oedipus, the main character in Oedipus Rex, is characterized as a tragic hero when he tries to run away from his fate and finds out that the cause of his fate was his attempt to escape it. Oedipus RexRead MoreTragedy In Shakespeares Othello1519 Words   |  7 Pagesthe tragic hero of the play that drives the narrative rather than Machiavellian Iago. Audiences are attentive in the protagonist being caught in a crisis situation where an error is made through judgement or action. Shakespeare uses this idea by adapting Aristotles view on hamartia and applying it to his play Othello. Aristotle’s Hamartia is an incident in the plot this is often translated as the tragic flaw. The tragic flaw is what captivates the audience to further reflect on Othello’s characterRead MoreShakespeares Use of Aristotles Guidelines to Tragedy in Creating the Play Othello1572 Words   |  7 Pagesof its ability to bring the viewer into the drama and feel for the characters, especially the tragic hero. This analysis of tragedy was formed by the Greek philosopher Aristotle, and also noted in his Poetics (guidelines to drama). As a playwright, Shakespeare used Aristotle’s guidelines to tragedy when writing Othello. The play that was created revolved around the tragic hero, Othello, whose tragic flaw transformed him from a nobleman, in to a destructive creature, which would inevitably bring himRead MoreThe Mirror Of Weaknesses Of Shakespeare s Othello Essay1483 Words   |  6 PagesThe grand tragic play Othello written by Shakespeare illustrates the contradictions in human natures through the display of tragic falls of various characters such as Othello, Iago, and Roderigo. Othello, the protagonist of the play, fell in love with the daughter of a nobleman, Desdemona. However, this relationship is soon broken up because Othello believed the accusation from Iago, Othello’s subordinate, towards Desdemona for having a disloyal relationship with her husband Othello’s lieutenant

Key Differences which Separate Pope from Wordswort Essay Example For Students

Key Differences which Separate Pope from Wordswort Essay hKey Differences Which Separate Pope from WordsworthIn comparing excerpts from Pope’s â€Å"An Essay on Man† and Wordsworth’s â€Å"Prospectus†, I found many similarities and some key differences. Pope’s lean toward the more structured and confined, and Wordsworth’s lean towards the informal and original. These differences are what separate the styles of both poets and make Pope â€Å"regular† or formal and Wordsworth â€Å"irregular† or unique. Both poems are done in iambic pentameter; however, Pope’s is rhymed whereas Wordsworth’s is blank verse. Pope appeared to use an abundance of end-stops, and lacked the personalization that Wordsworth chose by including himself as â€Å"I†. Pope’s usage of 70% caesura and minimal euphemisms indicate that this poem was driven mainly by form. Wordsworth, on the other hand, applied 77% caesura as in the following lines: â€Å"Or elevates the Mind, intent to weigh./ Inviolate retirement, subject there./ Of Mighty Poets; upon me bestow† (1;8,20) (2;87). Wordsworth also pulls me into the content of the poem by using euphemisms in â€Å"Of that intelligence which govers all/ The transitory Being that beheld† (1;22) (2;97) and personification with â€Å"Or from the Soul—an impulse to herself† (1;12). Wordsworth incorporates other strategies for content by including many lines of enjambment. Pope includes parallelism in â€Å"What can we reason, but from what we know?/ From which to reason, or to which refer?† (1;18,20) for a nice balance. Although both seemed to contain a semi-formal diction, Pope’s â€Å"An Essay on Man† leaned a bit towards the formal. He offered a more structured style and confined form with the constant usage of endstops and the lack of personalization, while Wordsworth chose to accentuate by enjambment, euphemisms, and the constant usage of â€Å"I† which promotes uniqueness and originality. Bibliography: